Carra Introduces 3D Printing Glass, Personalized Interior Glass at IndoBuildTech 2026

IndoBuildTech Expo remains one of the most important events for Indonesia’s building material industry. Each year, the exhibition brings together brands, technologies, and material trends that serve as a reference point for architects, interior designers, contractors, developers, and other industry players tracking the direction of national residential design.

Against this backdrop, Carra is present at IndoBuildTech 2026 with 3D Printing Glass, its latest innovation for custom interior glass. Its presence forms part of this year’s booth theme, “Layers of Living,” a collaboration with Astral Aluminium Systems and Forise Living that walks visitors through a complete modern living experience, from the exterior facade to interior spaces down to the finishing details of cabinetry and walls.

Carra itself is a smart-space solution brand under Allure Industries, known for its modular aluminium wall panel and storage systems designed for urban homes.

Custom Patterns, Not Just Standard Options

3D Printing Glass is a custom glass system for interior applications that allows three-dimensional patterns to be printed directly onto the glass surface, whether transparent, opaque, embossed, or a combination of all three. Rather than being limited to standard patterns available on the market, homeowners, architects, and interior designers can bring a design that matches their exact vision for a space.

The glass can be produced up to a maximum size of 1.2 x 3 meters and supports resolutions up to 4K (3000 x 4000 pixels), delivering sharp, detailed results even for intricate patterns.

Flexible Across Interior Applications

The system suits a range of interior elements, from room partitions and decorative panels to other aesthetic features that call for a personal touch. Because the pattern can be fully customized to a specific image or design, 3D Printing Glass offers considerably more flexibility than conventional decorative glass, which is typically limited to a fixed set of patterns.

This approach reflects Carra’s broader philosophy: material shouldn’t just serve a decorative function, it should be part of a system that can be shaped around the needs and character of each individual space.